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Great Park Avenue are at the moment three men who together as a pluralistic entity are transformed into one singular creation. They consider their songs to be a call upon the blatant regard for any notion of superior taste among the wide range of everyday music critics. Within the impeccable strict grid of their compositions there is plenty of room for cliches and embarrassing symbolic references, and sometimes grotesque surreal journeys down the utterly ridiculous paths that your mind sometimes yearns to wander.


Great Park Avenue are going to release their debut EP ‘In Terms of Creativity and Money’ somewhere on the front end of 2022. The decks are operated on their own beyond the given limitations of a non existing budget and a dayjob that eats hours off the day, and that’s why the title of the EP feels so important and real to them, it’s just the honest shame ridden thoughts of crummy untrue creativity that pains your dreams and desires of limitless prolific divineness. 




Introducing our debut single 'Blue World', a colourful explosion of post-punk glory.
Launched on August 28th as the first of three brand new singles, Blue World is an eruption of sound, a shimmering soundscape reminiscent of the Brit-pop glory days, representing a melancholic lyrical journey through modern-society adolescence, complete with both its expectations, and its shortcomings.

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The Rain has arrived! The only colourful forecast on your agenda. Streaming now on all outlets.

In short it's a love song. With the lyrics I just tried to vaguely describe the feelings and uncertainties within a relationship. I try not to describe anything too closely, I mention both John Wayne and Bruce Lee who are two very powerful and influential human beings who can either help you fight through a rough period and make you recover from it, or make things seem even more hopeless, setting a perfect example of how things should be.
But other than that I try to leave things quite open for interpretation, I often think that you can get a bit too close to the artist, you want the story to be your own, not some guy’s who you’ve never even met.
It has a slow start but comes to life more and more the longer you spend time with it and listen, which to many people is exactly how a long lasting relationship is supposed to start.
But more often it starts the other way around, same with songs.

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How We Recorded Au Revoir
Au Revoir was recorded in a small countryhouse a bit north from Stockholm near a neat little fishing village. The drums in the livingroom, guitar and bass in the kitchen and vocals out on the porch. We spent a week there trying to get work done with some success. It can be hard to stay focused when you are right by the open sea with great chunks of time on your hands and a freezer full of gin. But it's nice to work that way, far away from everything. The bizzy city can be too tempting sometimes, out in the woods you can have thoughts and ideas that spans over several days, great things can come from that I think. In the car on the way up we had a bit of a inconvinience where the poor packing of all of our equipment, mainly regarding our mic stands which we unthoughtfully placed at the bottom of everything, resulted in that several of them broke. We had to improvise when we finally arrived at the house, the guitars needed two mic stands and the vocals one, which left us with one lonely stand for the drums. So when it was recording time we buildt a small tower made out of a chessboard and a family boardgame that we taped the kick-mic to and used the one mic stand for the snare. For parts of the song we only used these two mics for the drums so that helped with the mic-stand-situation but for some of it we needed more. So, as for the overhead we actually taped the mic-cord to the ceiling, letting the condenser mic hang down over the cymbals, floating in the air above Zach’s head like one of his odd little daydreams. This ended with it falling down on the drumset in the middle of the night scaring the shit out of us.

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"Swedish band Great Park Avenue are coming in strong! Britpop and post-punk meet in an adrenaline-fueled track heavily grounded in the London music scene." -

"It’s in a concrete jungle of jangling guitars that the Swedish britpoppers, Great Park Avenue, find their home" -


”I’m just saying that if Mambo (now Great Park Avenue) keeps it up they could find themselves playing innebandy (floor ball) on a team with fellow Swedes Max Martin /../ It will be interesting to see how their melodies and independent energy progresses.” -



Allsop Arms, LONDON: 17/11 2018


Twang, STOCKHOLM: 18/1 2019
Bistro Gustavsberg, STOCKHOLM: 16/2 2019
Engelen, STOCKHOLM: 6/4 2019
C.A.P.S. KARLSTAD: 28/4 2019
Big Ben, STOCKHOLM: 8/5 2019
The Monarch, CAMDEN: 11/5 2019
Stable, GUSTAVSBERG: 20/7 2019
Five Festival, STOCKHOLM: 5/8 2019
Royal Institute of Technology, STOCKHOLM: 25/8 2019
Kolmården, NORRKÖPING: 4/10 2019
Warehouse (Show we put on ourselves for locals and friends at our studio), STOCKHOLM: 12/10 2019
Big Ben, STOCKHOLM: 20/11 2019


Bridge 77, STOCKHOLM: 15/2 2020
Noels, STOCKHOLM 22/2 2020


Live in the Flesh, STOCKHOLM 30/8 2021

Sydskånska Nationen, Lund 3/12 2021